Joshua Nguyen is the author of Come Clean (University of Wisconsin Press, 2021), winner of the Felix Pollak Prize in Poetry, the Writers' League of Texas Discovery Award, and the Mississippi Institute of Arts & Letters Poetry Award. He is also the author of the chapbooks, American Lục Bát for My Mother (Bull City Press, 2021) and Hidden Labor & The Naked Body (Sundress Publications, 2023). He is a Vietnamese-American writer, a collegiate national poetry slam champion (CUPSI), and a native Houstonian. He has received fellowships from Kundiman, Tin House, Sundress Academy For The Arts, and the Vermont Studio Center. He has been published in Wildness, The Texas Review, Auburn Avenue, and elsewhere. He is a humor editor for The Offing Mag, the Kundiman South co-chair, a bubble tea connoisseur, and loves a good pun. He received his MFA/PhD from The University of Mississippi. He currently teaches at Tufts University.
Outside The Gym is Another Gym [A Counterpublic In Public]
After A.R. Ammons
You walk over the dunes, again, this morning
to the adult playground
of rust-green beams, bars, & bodies which rest
right along the shore
with a seagull, with a fish thrashing
inside its orange, thick skin:
the sunrise, the better, the sweat-lattice,
the heavy backs breaking beneath
each grunt among the outdoor gym:
spandex— purple & pinker cheeks,
proliferating sand on broad shoulders:
broad like the Ibis beak
sideways, stalking
carcass from the pigeon, stealing
glances
with the half-naked bodybuilder named Jay:
blue-head bird, blue veins, blue
river trails bursting out the neck,
Southeast-dirt Asian eyes, afraid
to look afraid;
creatine sprinkled across the pull-up bar,
sandpipers snorting,
pecking at the fingertips, broad
chest touching
the bar, nipples
making contact— thick
shirt dangling over the pole:
a flag waves,
yellow, by the lifeguard,
dreaming of Baywatch-running
with seagulls on the shore;
algae holding down toes,
hamstring resisting sciatica, peripheral
views of whales humming
to avoid
agony over
a fallen brethren
to oil, crashing
upon the wake:
waves crash, gray
thunder becomes cirrus,
a nonbinary wren
finishes their 44th diamond
push-up, falls
on the 45th, faces impending doom
from the same sky giving oxygen;
an olympian egret lifts her body from her
wheelchair to the balance rings,
her triceps— a horseshoe, balancing
in the air like a rubied hummingbird, moving
to stay
alive, survive, take up history:
the flower is just a flower,
the beauty is just beauty,
you move how you need,
your arms match the arms
of objects who object
against you;
your arms
must pick up your cause
before, by,
& at
the end of the world.